

Shaplin's play about the pursuit of knowledge and the ossification of experience is given the full RSC treatment at Wilton's, itself a miracle of preservation, all decked out with ladders, scaffolds and
galleries for this production, and with electric
viola and cello punctuating the action.
Claudia Pritchard, Independent On Sunday
Photograph: Ellie Kurttz for the Royal
Shakespeare Company.
The design by Soutra Gilmour features modern elements interspersed into the conventional surface. So, for example, although most of the cast are in traditional dress, Isaac Newton wears white skinny jeans and the Restoration celebrations are remarkably similar to a punk disco. The music is informed by a similar hybrid, with an offstage string duo featuring
an electronic cello.
Charlotte Loveridge, curtainup.com
Pleasance Above, Edinburgh Fringe Festival 2009 and touring
Conceiver & Performer: Danny Schlesinger
Director: Bob Pearce
Directorial advice: Avner Eisenberg
Music: Adrienne Quartly
Cello & Piano: Adrienne Quartly
Clarinet/Baritone sax: Anna Wisdish
Adrienne is fantastic to work with and really takes in all your parameters when designing a soundscape. She is enthusiastic and generous with her ideas. Many people have commented favourably on the soundtrack![]()
of my show.
Danny Schlesinger, Circo Ridiculoso
"Hilarious and poignant physical comedy"
Time Out
Director: Mehmet Ergen
Trumpet Player: Yazz Ahmed
Trumpet samples, sound effects and drum programming.

Director: Veronique Van Meerbeek
Cello: Adrienne Quartly
Accordion: Karine Chevalier
The music was created and performed live onstage by Adrienne Quartly & Karine Chevalier.


Director: Elizabeth Freestone
Designer: Neil Irish
Lighting Designer: Wayne Dowdeswell
Music and Sound Design: Adrienne Quartly
Additional Songs and Choreography: Stuart Angell